A FILM UNFINISHED is a documentary that focuses on an unearthed and incomplete Nazi propaganda film simply labeled as "Das Ghetto", as well as a missing reel of rough footage which reveals how the Nazis manipulated and staged certain scenes in said propaganda film to make the Jews look as "inhuman" as they accused them of being. The "Ghetto" in the title of the propaganda film refers to the Warsaw ghettos of Nazi-occupied Poland, which were inhabited by dangerously malnourished Jews who lived in their own filth leading up to the ghetto's eventual destruction in 1942 at the hands of the SS.
The documentary also shows three survivors of the liquidated ghetto (who were only children at the time, obviously) watching the footage of the propaganda film for the first time. Without their emotional and revealing testimonies to back up the filmmaker's attempt at more or less exposing the Nazis, A FILM UNFINISHED would have ironically bordered on propaganda itself. Granted the Nazis deserve it if you look at things from the victims' point of view, but as an outsider looking in (that would be me), the slander of Nazis in cinema or otherwise is anything but breaking news; more like beating a dead horse.
"Every time you see a holocaust film, you have to ask yourself the question: What does this add to what we already know?"
The above quote is an excellent point brought up by Michael Berenbaum, whose name you can click on if you'd like to see his credentials. Perhaps it's not really in my best interests to speak on the holocaust, or even World War II in general for that matter. Stick a quarter in me and I'll talk about horror movies all day long, but world history - no matter how crucial - has never been my expertise. Why I even sought this documentary out in the first place was purely based on curiosity, and not necessarily an interest in the subject matter. But, to answer Berenbaum's question, what separates this film from a majority of the holocaust footage out there (let me stress that I'm merely assuming based on what limited knowledge I have on the subject matter) is that it provides a raw look at the events leading up to the Warsaw massacre.
A dramatic re-enactment of a testimony from one of the Nazi cameramen himself, Willy Wist, reveals that upper-class Jews were transported to Warsaw from Germany in order to provide a contrast between them and the poverty stricken Jews of the ghetto who were on the verge of death, only to be executed themselves. Perhaps the saddest thing about the documentary isn't necessarily the exploitative footage of the dead bodies on the streets and, eventually, being unceremoniously thrown into mass "graves", but the knowledge that the Jews who were being filmed were oblivious to the fact that they were about to be sent to camps or executed right there on the spot in a matter of days, and no I'm not talking about the type of camps that Ernest went to. However, with no way to verify the accuracy of Wist's testimonies, I can only take what this documentary's portrayal of Wist said with a grain of salt.
A FILM UNFINISHED is what it is, for lack of a better term. It provides a heartbreaking - albeit understandably biased - look at the living conditions (or lack thereof) of a large group of Jews in Warsaw during World War II, prior to them being exterminated like vermin. The documentary is very well-made to boot. Seek it out if you have an interest in the subject matter. Amazingly, even though there are holocaust museums and documentaries shown on television that deal with similar subject matter - all accessible to children, with or without adult supervision - the MPAA has given this documentary an R-rating, which further adds to the argument that the members of the Ratings Board are a bunch of Nazis.
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